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By chrisdgDecember 16, 2013Uncategorized

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December 16, 2013 at 4:13 am

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Professional Training

In order for drama and music to be full partners in operatic performance, singers must have a working understanding of how their bodies communicate and are perceived on stage. I believe in training young artists to be just as articulate in their physical characterisations as they are in musical and vocal terms.” Spatial awareness, physical coordination, body confidence – all these are necessary to communicate effectively with an audience.
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Opera Direction

As an opera singer I was often found at the production desk during stage rehearsals. This is the operating base for the director, lighting designer and stage manager when rehearsing an opera. The realisation that I wanted to direct as well as sing, lead to me directing operas for Opera Q (formerly Opera Queensland), Pacific Opera, Sydney Conservatorium of Music, Pacific Opera and restaging and assisting at Opera Australia. I truly love this work – especially when working with emerging artists and look forward to taking on more of it in the future.

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