Christine Douglas Opera Training
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Portfolio

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  • Performances
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Don Pasquale
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Don Pasquale

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Fidelio
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Fidelio

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The Magic Flute : Papagena
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The Marriage of Figaro

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Manon
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Manon

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Madame Butterfly
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Cio Cio San

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The Merry Widow
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The Merry Widow

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Seraglio
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Abduction from the Seraglio

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Boojum
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Boojum

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Xerxes
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Xerxes

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Jason
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OA Cosi

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Patience
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Patience

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Musetta
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La Boheme

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Cosi Fan Tutte
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Cosi Fan Tutte

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The Barber of Seville
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The Barber of Seville

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The Barber of Seville
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The Barber of Seville

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The Barber of Seville
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The Barber of Seville

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Pygmalion and Galatea
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Gods & Sinners

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Gods Sinners
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Gods Sinners

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Cathy & Dora in forest
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Hansel & Gretel

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Cathy Zhang as Gretel
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Hansel & Gretel

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H&G company bows
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Hansel & Gretel

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Dora as Hansel
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Hansel & Gretel

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Benas the Witch Eve as Hansel
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Hansel & Gretel

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Eve and Eva as H&G
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Hansel & Gretel

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Eva and waking clowns
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Hansel & Gretel

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Hansel & Gretel
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Hansel & Gretel

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Qofn, Tam, 2 Lady
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Magic Flute

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Pam & Pap duet
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Magic Flute

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3 ladies & Tam
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Magic Flute

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Dave as Schikaneder
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Magic Flute

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3 spirits animals, Tam
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Magic Flute

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Flute, Glenn 3 Ladies, QofN
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Magic Flute

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Julian and Phil
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El Amal Workshop

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Paparazzi
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Papparazzi

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Cosi Fan Tutte
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Cosi Fan Tutte

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Cosi Fan Tutte
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Cosi Fan Tutte

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Opera by the Lake
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Opera By The Lake

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Opera by the Lake
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Opera By The Lake

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Opera by the Lake
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Opera By The Lake

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Opera by the Lake
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Opera By The Lake

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Opera by the Lake
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Opera By The Lake

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Opera by the Lake
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Opera By The Lake

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Professional Training

In order for drama and music to be full partners in operatic performance, singers must have a working understanding of how their bodies communicate and are perceived on stage. I believe in training young artists to be just as articulate in their physical characterisations as they are in musical and vocal terms.” Spatial awareness, physical coordination, body confidence – all these are necessary to communicate effectively with an audience.
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Wellbeing

A singer's body must be fit for purpose. Certain postural and lifestyle habits can cause seemingly insurmountable hurdles for the developing singer. This website contains links to highly effective, professional practitioners who may be able to young singers to get their bodies in optimal working condition for singing. Included are links to Feldenkrais, Laryngology, Massage, Osteopathy and Speech Pathology

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Opera Direction

As an opera singer I was often found at the production desk during stage rehearsals. This is the operating base for the director, lighting designer and stage manager when rehearsing an opera. The realisation that I wanted to direct as well as sing, lead to me directing operas for Opera Q (formerly Opera Queensland), Pacific Opera, Sydney Conservatorium of Music, Pacific Opera and restaging and assisting at Opera Australia. I truly love this work – especially when working with emerging artists and look forward to taking on more of it in the future.

Current Performances

Gladys-Moncrieff

'Our Glad - Memories of Gladys Moncrieff'.
Christine has partnered with pianist extraordinaire Glenn Amer and playwright Melvyn Morrow to create a nostalgic tribute to the late, great Australian singer and household name, Gladys Moncrieff. “

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  • Home
  • About Christine
    • Current Performances
  • Tuition
    • Workshops
    • Audition Preparation
    • Dramatic Coaching
    • Mentoring
    • Singing Lessons
  • Health & Wellbeing
  • Gallery
  • Contact
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